The Mystical Principle of Divine-Kingship

I intend to trace back in time, the evolution and development of the relationship that figures of power at the beginning of the Roman Empire, had with its own divinity, recognizing perhaps, the bond humans have, with its own sovereignty. My question resides more personally on the relationship the cult of emperors might have had with the Egyptian Goddess Isis in relation to the so-called Religionspolitik . I intend to analyze this concept, going deeply around the symbolic ideas and meanings that founded religious construction through history.
More specific, divine heritage passed through royal lineage from Ancient Egypt to The Roman Empire. Making an emphasis on the importance of the cult of Isis in this process, as the first most powerful evidence of constructing a divine lineage, through the origins of divinity itself and the construction of an ancient religion.

Professor Versluys, from the university of Leiden, mentions in the introduction of his book -power, politics and the etudes isiaques-, the lack of presence and the little importance the cults of Isis and Sarapis had, in former times, when it comes to speak about the Hellenistic and Roman religion in terms of power and politics; probably that's why he has dedicated several books to compile from the most renowned academics on the topic, extensive evidence of the conquest of Isis in specific, on Roman ideologies and hearts. “…but most often, the cult of Isis, Sarapis and their consort are absent from those discussions. Apparently they are perceived as exotic, Egyptian outsiders to a quintessentially Mediterranean Hellenistic and Roman system.” 1
In this case, my intention is to track the importance of Isis cult in their construction and understanding of the basis of the relationship between divinity and that one of being a figure of power. Where professor Versluys comments that it's a mistake to exclude Isis cult from the discussions as in reality the Egyptian Gods played an important role in different areas, very often in relation to politics, in the Hellenistic Dynasty, other great Hellenistic powers and the Roman Emperors. The Egyptian Gods and Goddesses were often an institutionalized religious option, frequently used in the Roman and Hellenistic Religionspolitik. “…power on the one hand and cults or religion on the other are thus overlapping categories and not all mutually exclusive” Versluys says referring that they constitute a basis for the construction of symbolic meaning through the categories of power and religion that sustained the Hellenistic and Roman period.

I'm my opinion, there was a point into which the Egyptian ideology and understanding of this magical process of becoming a king, was corrupted and transformed in time to a new kind.

Every foreign ruler that conquered Egypt accepted the cult of Isis, being, I would say, conquered themselves by the magic and knowledge of this land, its cults that evidently, gave them also the possibility to connect with their own divinity that was reflected on how they exercised power. Creating a religion that its main purpose was to justify their legitimacy as rulers and therefore have an official permit and right in the political exercise without any other human question. Scholars have written much in this area nowadays, I don't intend to ignore any of it, but it would be impossible for me to cover all the phases in which the cult of Isis influenced the life and outcomes in ancient times. Instead, I would like to bring up the aspect of the most used power that relates to her mythological origin, the power that resides in her own name and the one used the most afterwards by all those who claimed and worshiped her. Residing on the discourse any one and everyone holding religion and political power in their hands used this ideology, mystical religious aspect to justify personal and internal divinity in them.
We can find her in the most ancient testimonies of human civilization, in scripture and reliefs on the walls of buildings that dated 5000 years ago. She appears in the first Egyptian accounts on history, from the first pharaonic dynasties in their pyramids texts. Isis was, from the very beginning, one of the primary and the oldest Goddess of the pantheon, the one from where everything becomes alive, as she is the portrayer of the ankh , the key and bearer of life.
The great God RA, his father, always sustained life of his creations by the power of this key symbol. The story tells us that she was so powerful in the arts of magic that she was able to retrieve her father's secret name when he grew old and sick and asked for her help. Through this token of magic, she inherited the symbol of the ankh as the “life – giver” which will make her be respected in the Greco-Roman world, as the source of all that lived, embodying the title itself: Lady of the House of Life.

RE Witt introduces us to the magic of her elemental religious principle, in his beautiful book –Isis in the Ancient World- “There, in the beginning was Isis. Oldest of the old, she was the Goddess from whom all Becoming arose. She was the Great Lady –Mistress of the two lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the Word of God. She was the Unique. In all her great and wonderful works she was a wiser magician and more excellent than any other god.” And I must say that every epithet the Goddess has is a sacred power that her divine principle creates for men to use on earth.


Royal and Divine Lineage

In the most ancient iconography, Isis was represented with a royal throne over her head, as a crown,( ist, Ast). This is a hieroglyph ( asset, iset) that firstly stands for her name and the throne symbol represents the royal lineage that was only passed by the feminine line; Goddess Isis wearing this crown, shows that she is the one who gives her consort the power of royalty. And this is how usually Isis can be recognized on every relief in the most ancient temples and archaic images of Egypt, whereas in the tombs of different royal members and on the tombs of the common people as well. Her written name, in every funerary text, in pyramid texts, sarcophagus and ancient papyrus, on walls is always found with the following hieroglyphs: ( or ), this speaks of the first characteristic contained in her name: the symbol of pure value of royalty, the bread stands for the feminine principle and the cobra for the fertile womb of a mother. Isis means “the one who has ruling power” 2 . Ancient Egyptian names are more than only indicative of identity. In ancient Egypt a name, especially for a God would be indicative of the inherit natural power they possessed. The depictions (hieroglyphs) stand for concepts that sometimes only the initiates would be able to read and cosmologically understand. I want to stress that her many names stand for infinite powers limited by scholar's descriptions. 3 . When we say her name holds the power of giving royalty or life, it is not an abstract concept; it is related to the origin of the cosmos, of how the universal system was designed for them and all of us. These names could only be inherited by bloodline, by natural spiritual laws. That is why her son would be the heir of all that power and therefore the right to be a demi-God king. The Pharaoh would be representing Horus on earth. Also shown in the Pharaoh's titular names.
Together, Isis, with her twin loving brother, king Osiris, ruled 7 thousand years, according to the lists of Manetho, as one of the first dynasties of Egypt. Therefore, Isis was the first Queen Goddess consort of Lord Osiris, who established the principles for a new civilization on the side of the Nile River.

Isis Mysteries

Wall relief chamber at the Temple of Seti I in Abydos, Egypt.

Isis' mythology is delivered to us primarily in the very ancient funerary anthology of Egyptian history in the magical texts of the pyramids that date back to 2400BC. Here she appears usually as wife of the God Osiris, “King of the Dead,” ( wsir) their cult became widely spread during the First Intermediate Period. As we can notice in his name we also find the throne as well as the eye. The eye stands for the verb “to do”, meaning he is the one who created kingship. Also, the first God King on earth. He taught people Agriculture and civilization, he's earthly aspect is to be a fertility God.
In the myth of Osiris, Isis plays the role of a loving perfect wife, protecting him from evil, faithful and caring mother of her child Horus also known as “Harpocrates” and “Horus the child” in the classical texts. She is intrinsically related to magic as she has to find extreme ways to protect her family from her husband's twin brother, and therefor her brother too, the dread God Seth, who stands for war, evil and contrast in front of the goodness of his brother Lord Oriris. The concept of duality is always present.
Isis is the object of cults in many places in pharaonic Egypt. More usually in connection with her husband Osiris.
These principal Gods will go through changes in their iconography in time, being associated with other names and characteristics. For Example, God Osiris in Coptos, was related to the God Min, and in Hellenistic times will be known as Sarapis, which we will talk about in depth later.

During the New Kingdom, Isis was assimilated to the also motherly Goddess Hathor, as in the complexity of her mythology, appears to have her head cut off by Horus and replaced it for the Hathor's one whose crown symbol portrays the sun disc framed between two prominent cow horns. Another image of Isis that will be represented and spread widely during the New Kingdom, is that one of her seated on a throne, breastfeeding little child Horus while being held between her arms nourished on her lap. As explained by Francesco Tiradritti, “Her role as a mother is given ample space in the Greco-Roman “Mammisi”, or birth-houses. These sanctuaries were built in the vicinity of temples, where the mystery of the divine birth of the Pharaoh, who was considered the earthly incarnation of the god Horus, was celebrated.” 4 .
Being well known that each Pharaoh was closely blood related to divinity and that was not only justifying but establishing the right to be the legitimate ruler of the land. The Queen Goddess Isis gives the power of life to royalty, as Horus is the first incarnated Pharaoh, born to be king. Starting the lineage of birthright, which will be inherited by every Pharaoh to be in Egypt's history. “Throughout the 4000 years of Egyptian history every Pharaoh was the incarnation of the youthful Horus, and therefore was the son of Isis, the Goddess Mother who had suckled and reared him.” 5 . And the mother gave the legitimization for this reincarnation. The mortal mother then, as some cases of pharaonic Queens we will talk about later, was legitimized as the daughter of Isis, daughter of Amun RA and Mut, etc. This is the key concept for the present thesis. Unraveling this model here, we understand how political power was legitimized, passed through generations, justified and embodied through Egyptian and foreign dynasties as well.
Then, Isis will become the mother of the first Pharaoh on earth, Horus, son of Gods, king of Egypt. Suggesting that the Pharaoh was a demi-God himself incarnated on earth like one time was Jesus, to fulfill a divine purpose. I understand this is a mandatory aspect for exercising royalty in Egypt, as the Pharaoh, was a direct and immediate intermediary between earth and divinity. He had access to divinity as a natural birthright. As tradition, from the beginning of times, every King who was about to inherit the crowns of Egypt, should be legitimized from this divine lineage, either by marrying a Queen daughter of Mut and Amun RA, or by being himself the son of such Queen. Witt indicates that part of Isis existence, and purpose, was to protect and enthrone Pharaoh after Pharaoh “But each of them was at birth as weak as the divine child Horus and each had Isis as his mother to suckle him and then enthrone him. “She always protected the living Pharaoh as the embodiment of her son Horus.” 6 .
When the Pharaoh ascended to the throne, he assumed 5 titular names related to Horus, RA and unification of the two lands. These titles were created with representative symbols to demonstrate the divine lineage. The “Horus name” was incorporated since Dynasty V, it is representative of divine kingship as the incarnation of God Horus and embodied the roles he had as an earthly human. You could see a falcon standing over a temple. The Falcon represents Horus. This God is always depicted with a Falcon's head over his human body. The name of “son of RA” , is designed with a duck, meaning “son” and the circle stands for the solar deity RA. Evidently indicating the family relationship. This name links the Pharaoh directly with the creator main God, father of Nut and Geb, Isis and Osiris parents. In this way, every king is the son of RA by definition.
The other three names are the “Golden Horus” , the “lord of the two lands/ladies” from upper and lower Egypt and the “lord of the two lands or duality” representative of the two emblems of upper and lower Egypt.

In the Greco-Roman world Isis is represented with a knot on the front side of her dress, which is a sign for life and was used to symbolize the protection of the mother and child during childbirth. 7 . ( tit) Amulets of red bloodstone were made and placed on the deceased neck as a symbol of protection. The knot is representing Isis blood, and probably with passing through the lineage through blood ties. Which will explain more after knowing the myth: Isis and Osiris myth starts in the pyramid texts and undergoes several modifications during until the New Kingdom, the last and definitive version was found in the –Great Hymn to Wsir (Osiris) Stela of Amenmose (Louvre C 286, figure 1) - which belongs to the 18th dynasty (1550-1300 BC.) making the figure of Isis greater and mentioning for the first time the posthumous conception of Horus after gathering Osiris remains when he was assassinated.

Figure 1.

Isis' suffering is well known through the murder of her brother/husband by the hands of his evil jealous brother Seth, who cut Osiris into 14 pieces that were scattered around the ancient land of Egypt. Isis and her sister Neftys started a quest to find each piece of the dismembered body. Going through the representation of their suffering, which became a ritual for the priestesses of their later cult, the so-called Isis Lamentations, “Lady of Isis” was a traditional festival performed, according to the myth, on each district where a piece of Osiris was said to be found. From Plato we can assemble some of the characteristics of this ritual and a glance of its antiquity in which Isis and her twin sister Nephtys reenact Osiris Passion, most likely a commissioned written play by the IV Dynasty, about 2500BC. 8 . Making of each place a sacred site and an important city of Egypt.
The Goddess Isis gathered every piece together, except the phallus that was eaten by a fish in the river Nile. She proceeded then to resurrect her husband for a short period of time, in which they conceived their son Horus. This conception happened in a magical ritual where Isis transformed herself into a falcon and in a divine way, she achieved to get pregnant. (figure 2)

Figure 2

Another feature from the Mysteries of Isis, is the resurrection theme, Osiris was the first figure murdered and massacred to be resurrected by divine will or in this case, by his wife's Magic (Heka) becoming the lord of the “underworld”. The fact I want to point out here is that she never found the phallus, indicating us that Horus' conception was through her magical means. Here is when Isis ribbon (tit) enhances the importance of the feminine side in the bloodline transference of the divine characteristics to the Demi-God first Pharaoh, no matter her husband had the symbol of the throne in his name as well. It is the female only capable of providing the divine right to rule through her blood. According to B. Lesko, this amulet made of red semiprecious stone, jasper was representing Isis blood directly in the form of a menstrual towel folded and soaked in the Goddess' ancestry. Or in any case, Spell 156 in the Book of the Dead speaks about Isis' blood, which provides the deceased with general protection. The amulet is usually found in the mummy's wraps. Being one of the essential sacred symbols.
Part of Isis being the royalty bearer and giver, is related to her magical skills, only through divine unearthly advanced rituals, she could have had mummified with Anubis help, resurrected the body of her husband into eternal life, and therefore conceived a son without the physical means of conception. Suggesting a high divine sacred ritual in which through transformation and in other dimensions of reality that only Gods can access, this could have happen. It is highly sophisticated explanation that without a question, she has to possess secret knowledge of the universe and an infinite power and wisdom to bring a right heir king to earth. She was recognized as such a great one of magic and healer, as many passages that relate her life, involving poisonous insects like scorpions and snakes that she would command as she was pleased, she would also heal the ones who suffered a mortal bite from them, His son Horus was bitten by a scorpion, causing his immediate death. To whose mother, reversed the damage, healing him and resurrecting him back to life. Becoming the great sorceress to whom the art of medicine belonged.
In her non-terrestrial aspect, she was associated with Sothis, or Sirius, the Dog star (Canis Maior) and the moon. In coin representations she is often portrayed sitting on Sothis, the star symbolized the coming flood of the Nile River as it was seen rising in the morning sky when the time of the annual flood was coming. “When the star Sothis shone bright then the new year began as the river grew big with the tears of Isis and its waters flooded the land of the Delta.” ER Witt Giving a great example on the importance of her Lamentations (the myth said she raised the river's tie with her tears) to flood the river that would fertilize the land and sustained life. Coinciding with Sirius star appearing in the horizon as a divine sign of her protection and life force. As the mother she will be related to many Goddesses with similar qualities. Herodotus was the one who related her to Hellenic Demeter, as the fertility Goddess. The aretologies, originally Greek poems, enhance Isis fertility power of creation.

The myth will remain almost the same through the later Dynasties, until the Roman period and beyond. The myth was rewritten by the Greek historian, biographer, Plutarch (45 -125 AD) in the book –De Iside et Osiride- He was a priest himself in the temple of Apollo in Delphi, according to his own words, he wrote this work while being a priest in Delphes around the year 100 AD. The book was dedicated to his friend, a priestess of the Isis cult named Clea. Being this version of the myth the most reproduced and the one who had the biggest influence in the western world.
By the time when Alexander the Great conquered Egypt, divine kingship became a tradition where the God Amun RA would take the place of the king during the procreation of the successor to be Pharaoh, defining his future Godly role even before the heir to the throne was born.

- The principle of Femininity in the role of sacred lineage:

Figure 4. Reconstruction scheme on Hatshepsut's divine birth scene. Now not visible in her mortuary temple at Deir-el-Bahari. Egypt.

Figure 5 and Figure 6

God Khnum is modeling here the different bodies for the Queen Hatshepsut. He models in clay the physical body and the energetic body the kA in the same identical image of the body in flesh.

Figure 7

There's a distinction I want to make before going to talk about the foreign rulers and conquerors of Egypt who adopted this tradition and assumed a Religionspolitik. For the native Egyptian rulers this ritual and worship was an integral part of their cosmogony, it was the divine rule that enabled them to live. They knew deep within their hearts the resonance for divinity. They were responsible to embody and therefore portray it. It was an organic, original, natural consequence in their lives. That one of recognizing divinity as a birthright to them, under the sacred eyes and rules of the Gods, they were honored and divinely guided to rule under the ethics and cosmic balance of Ma'at. I'm not sure how deep the foreign rulers who adopted the convenient association with Gods understood the responsibility of embodying divinity itself to fulfill the real task of being a Pharaoh. They were kings, rulers, emperors and even bishops, popes, but not really a Pharaoh who is divine within selves as a real spiritual practice according to the spiritual and ethical of the Ma'at law.
What I can see through the explanation of the history of the Greco-Roman emperors and kings was that they adopted a foreign culture and as they were not really born into the spiritual system of Ma'at, and the Egyptian complex pantheon in which every reference stands for a specific meaning of legitimization, and mainly by their behaviors, they sort of corrupted the beautiful cycle of divinity inheritance. They manipulated the basis of the principles to convince politically, through religious concepts, with intentions to gain power, but not to live according to the ethics and spiritual requirements for the role. I assume that this is how the Religionspolitk of the Greco-Roman period that Versluys mentions in his book, becomes the center of power's discourse and attention. Another reason to adopt Isis as a guide mother on the next way of ruling the conquered places.

Divine lineage, origins of divinity and the construction of an ancient religion:
Manetho, the Egyptian priest of Sebennytus, who wrote the history and religion of ancient Egypt in the third century BC, has been one of the main sources used for royalty chronology until now, and Egyptian history. Before hieroglyphs could be read, the evidence contained in his accounts was the main information known about the ancient times of this land. Thanks to his book the Aegyptiaca (History of Egypt), scholars have been able to reconstruct the list of royal chronology succession and length of each Pharaoh's reign, later, when they could read the inscriptions of the hieroglyphs, they could compare and adjust this royal list of names with those found in the Turin's papyrus and the royal cartouches at the famous wall of kings in the temple of Sety I in Abydos. In his lists, Manetho starts naming the most ancient lineages of those that had a reign in Egypt. It is here where the word “Dynasty” absorbs the conceptual meaning that we understand now in historical terms: A series of sovereign princes in a given country, belonging to a specific lineage. Therefore, scholars have been able to readjust the Titanic task to establish a timeline for these 5,000 years of Egyptian history.
Referencing the original lists of Manetho, will help me to establish a very risky but important for me, theory on how the unbreakable and unconditional relationship with the Gods was inherited on the ancient land of Egypt. Academics interpreted the first part of Manetho's book, as pure mythology, disregarding any other observations. The book contains the description of the first Dynasty, a succession of names in their Greek form, with a very special origin, that ruled as kings and that we know as Gods. Manetho even made distinction among them, dividing them into a subcategory of demi gods, the ones known as “The Followers of Horus,” and even ghosts or spirits. Then after, the list mentions the duration of thousands of years for each reign and on occasions, describes the most important events in their lives:

“The First Dynasty of Egypt

1. Hephaestus reigned for 727¾ years.
2. Hêlios (the Sun), son of Hêphaestus, for 80⅙ years.
3. Agathodaemôn, for 56 7/12 years.
4. Cronus, for 40½ years.
5. Osiris and Isis, for 35 years.
6. Typhon, for 29 years.

Demigods:

7. Ôrus, for 25 years.
8. Ares, for 23 years.
9. Anubis, for 17 years.
10. Hêraclês, for 15 years.
11. Apollo, for 25 years.
12. Ammôn, for 30 years.
13. Tithoês, for 27 years.
14. Sôsus, for 32 years.
15 Zeus, for 20 years.”

Manetho, then proceeds to describe the first dynasty with “human” kings, like Menes the first king from the second dynasty. Coming to my attention the word “human” in specific regards to the consequent list of names from now on to the end of the accounts. Which later on will be transcribed, rewritten and most of all, preserved by other philosophers and biographers like Flavius ​​Josephus, the Christian chronographer Africanus and Eusebius, repeating the same nouns to describe these “mythological” (in our modern terms) and “human ” rulers. Is this not strange to anyone?
The Italian traveler consul Bernardino Drovetti in the year 1820, found the Turin's papyrus, Turin King List, also known as the Turin's Royal Canon, in the west bank of Luxor. The document is very damaged and is kept in the Turin museum. This papyrus document starts as well, with the names of the Gods reigns on earth and ends with Ramses II up to the second Intermediate Period (1650BC). The chorological list is written in hieratic; Composed by 11 columns preserving the names of Egyptian rulers back to the God's Dynasty, following the divine kingdoms of Geb, Osiris, Horus, Seth and Ma'at. It also includes the duration of their reign in years and the titles of each sovereign.

I point this out as I would like the reader to imagine there could exist some veracity of these testimonies of ancient history, at least let's give it a second read to deepen the interpretations.
For a moment, let us think of Isis and Osiris, whose names stand on the number 5 of the first list of Gods ruling Egypt, were real physical beings, if not Gods, here on earth, and had a profoundly extensive high wisdom and consciousness to teach the new civilization survivors from the largest world flood, how to live on earth, by which ethical and spiritual laws they should direct an existence on this new earth, with this new civilization. If we can imagine this, then our soul can understand better the relationship divinity had with humans, and more specific those humans that were going to become Pharaohs in charge of the political, religious, spiritual, ethical, balance of a new born civilization. It was a huge responsibility that could only have been done through unconditional love. We can understand then “worship”, and most of all “respect” for everything that was respected back then, which now could be seen wrongly and offensively as superstition.
Animals were therefore sacred, plants, food, seeding, harvesting, were gifts, and every act we would do during the living hours of our lives, would be sacred, worth doing, worth of divine attention. And that would explain how every spiritual code is related to everything of the common life was in the past in Egypt. The more the time passes by, the more distanced we are from that reality, proving we are a civilization with “amnesia” as Graham Handkcock says very often in his books. We are the civilization that began to forget, generation after generation, where we came from. And that would explain the corruption of the ideology, of the spiritual meaning that ancient Egyptians had for every breath and hour of the day given to us. That's why scholars oversee, dismiss and qualify as “mythology” what they cannot see or believe.
Imagining all this and reading through again with an open mind connected to our heart, we could then, reconsider that the old land of Khemet, (Egypt) was ruled by a Dynasty formed by real Gods and demigods. The way those ancient sources describe those Gods is as if they would be here, alive, interacting with their people, not as a mythological creation, but as the first beings that populated and lived on these grounds. Also known for teaching “humans”, how to seed, harvest, benefit from food, magic, the arts of war, and ethics, arts, building, housing, moral codes that formed a great cosmogony passed through generations, the functions of it all . Unfortunately, this happened so long ago in earthly years, that our present contemporary generations forgot thousands of years ago. The way we see those ancient classical sources, are with modern lenses, but if we can analyze mythological sources with faith, imagining at least, if not believing, that the stories are a real statement and testimonies of our physical human history and evolution of the species we are now, then, only then meanings would turn to other wider perspectives. Then symbols will become magic.

I invite you here to interpret Manetho under a different lense, he wrote in the time of Ptolemy II, Philadelphus, in the 3rd century BC; who actually married his sister Arsinoe who was represented as Isis herself. She was a priestess of her cult as other royalty members. Evidencing here, their ideological ideas were similar to their predecessors, even though they were from Macedonian origin.
In the book of -Sothis- Manetho wrote a letter to him, as the Pharaoh wanted to know the future and who would be better to decipher it than a trained Egyptian priest?
From the Appendix I, we find the letter to the king, preserved by the Byzantine historian Georgius Syncellus:

“The letter of Manetho, the Sebennyte, to Ptolemy Philadelphus.
'To the Great king Prolemy Philadelphus, the venerable: I Manetho, high priest
and scribe of the holy fans of Egypt, citizen of Heliopolis but by birth a
Sebennyte, to my master Ptolemy send greetings.
'We must make calculations concerning all the points which you may wish to examine into, to answer your questions concerning what will happen to the world. According to your commands, the sacred books, written by our father Thrice Greatest Hermas, which I study, shall be shown to you. “My Lord and king, farewell.”

This translation I took from the quote referencing of Murry Hope in her book –The Sirius Connection- in reference to the theosophical scholar GRS Mead. In this translation, it is expressed how there is a desire from the king to know the future, to know what will happen to the world, and how he trusts the Egyptian priest with his knowledge and studies of the past, but can he predict the future? According to Manetho, the God Thoth wrote 36,525 books of ancient wisdom (a figure identical to the number of primitive inches in the perimeter of the Great Pyramid, according to Mead in his book –Thrice Greatest Hermes-) According to Syncellus, It's believed that Manetho wrote from inscriptions in the Sêriadic land, “traced, he says, in sacred language and holy characters by Thoth, the first Hermes, and translated after the flood… in hieroglyphic characters. When the work had been arranged by Agathodaemon, son of the second Hermes and father of Tat, in the temple-shrines of Egypt, Manetho dedicated it to the above King Ptolemy II Philadelphus in his book of Sothis, using the following words: “In this small fragment, there's so much to analyze if we read it with the eyes I proposed previously, reading between lines, there is the suggestion that Manetho's sources were from an unknown sacred language written by the God Thoth, who actually stands in Egypt as the creator of language itself, the one who made the hieroglyphs, associated with the Greek God Hermes, was called in the Greco-Roman world, Hermes Trismegistus, the “three times great” who knew the measurements of the universe and creation as he was the vizier and scribe of RA while he was creating the world. Manetho's name, means “The Truth of Thoth”, making him the trustful translator of the truth of his words, suggesting that the original source of this accounts were translated to hieroglyphs after the flood, stating there was a universal flood that makes a difference between times in civilization development; then Thoth's writings were arranged into books by another God, Agathodaemon, the third God listed on his Chronologies of the first Dynasty. This passage from Syncellus “such is his account of the translation of the books written by the second Hermes.” Suggests that Manetho's sources were directly translated from the lost sacred books of the Gods.

This happened so long ago that we have no meaning to know every and all of Manetho's sources. His books first of all, are not complete; the holes on it are fulfilled by all of the preservers of his work that were just mentioned here. There is the possibility that his sources disappeared in time deterioration if they were written in papyrus, or burned at the Alexandrian library, other fires, other floods, and oral tradition that faded, or who knows. So in my opinion we should doubt as well as the interpretations that confine everything as mythological. I go into all these esoteric references to draw a line onto the ancient ways may have known, that, obviously we ignore now. In terms of understanding the reasons why foreign conquerors respected, admired and instead of imposing their conquest, they actually absorbed their knowledge into their benefit and even became their Pharaohs as well, they might have had the sacred knowledge of divine connection to be believed and followed , respected, not assassinated like in the western world, like in the Roman Empire.
Manetho establishes the God Amun RA, ruling in the place number 12 of his list, this God will be one of the most important in passing the divine lineage on earth. For the expansion of Egyptian religion, he played a protagonist role. His power was established relatively late in the XIIth Dynasty in Thebes, he had a shrine in the Oasis at the Libyan desert that was restored by Greek pilgrims and would become a very important place of visit for people who aspired great things and wanted to consult their destiny. It was the same Amun's Oracle visited by Alexander the Great.
When Alexander the great came to Egypt in 332 BCE, he visited the Oracle of Jupiter Amun in the Siwa Oasis. There the priests spoke in the name of the Oracle, indicating he had divine origin, recognizing him as Amun's son. Rosalie Davis explains in her book -Religion and Magic in Ancient Egypt- He was accepted and crowned in Egypt as a Pharaoh, respecting the traditional belief that every Pharaoh was son of Amun RA as the God himself embodied the husband-father when the king was conceived. There is an apocryphal account of the life and exploits of Alexander the Great. It is a pseudo – historical text that had been widely copied and translated in different stages, called the Alexander Romance. Shortly after the confirmation of Alexander's divine origin in the Siwa Oasis, by the Libyan Sybil of Zeus Amun, a rumor began: Nectanebo II, the last native ruler of the thirtieth dynasty in ancient Egypt, ruled from 358 to 340BC, after his defeat of his last battle, instead of traveling to Nubia, he went to the court of Philip II of Macedon under the disguise of an Egyptian magician who infiltrated in the court, while king Philip II was out in campaign, he then convinced the Queen Olympias that Amun was to come to her to be the father of a Great future king, as the divine kingship tradition was told. So they conceived Alexander the Great in this union. This might be a legend only but certainly a justification for the Siwa's priest who named Alexander son of Amun. Weather Alexander believed in his own divine origin or not, the ancient Egyptian religious faith, gave him value to achieve his own goals. Alexander's legitimate recognition of a divine heir would be of great assistance to his foreign successors to be accepted as Pharaohs. Alexandria was built in Egyptian style, to be a Greek city in Egyptian soil as a center of knowledge, and exchange of goods and information. Becoming the world's trading center, and a very strong spiritual place where science, philosophy and religion could converge and expand. RE Witt conveys that in religious matters the Alexandrian people had a conservative point of view, it was a mixture of citizens, becoming a great cosmopolitan city in which Isis presided long before. Having profound respect for Egyptian religious matters, that had an immemorially long past combined with the natural desire to match and equalize exactly their gods with those from Greece.
One of his Macedonian soldiers, known as Ptolemy I, stayed in Alexandria establishing the Ptolemaic Dynasty in 306 BCE. The Ptolemies created a great building program, “A major temple to Isis and Sarapis was, of course, located in this new capital city…” Queen Arsinoe II married to Ptolemy II, and she was immediately associated to Isis as she married her brother, equating the parallel with Isis and Osiris, she made then, much to increase devotion towards the Goddess. “The Ptolemaic queens of Egypt were identified with the major Egyptian goddesses following an age-old Egyptian tradition”
The Ptolemaic Queens were deified creating a cult to the royal women even during life. This opened prestigious activities and jobs for the priests and priestesses to be part of a recognized social position.
Cleopatra VII was the most famous of the queens in Roman period, 30 BCE, she was the last cultured Queen who even knew the language of Egyptian hieroglyphs. She was associated as well with Isis. Vergil considered Cleopatra the reincarnation of Isis on earth.

Cleopatra associated with Isis, facade at the Cairo Museum, statuette and relief from Dendera temple.

In the so-called Alexandrian Serapheum, Ptolemy I established a hospital where many students could learn and practice medicine. This place was the museum for many Greek philosophers to learn the mysteries of ancient Egypt. Keeping a close relationship between knowledge and spiritual development. Many important figures through the next dynasties were initiated in the sacred practices of spirituality trying to keep alive the connection with the Gods through so many centuries. For Francois Daumas, Alexandria was never a real Egyptian city, he finds the evidence in the attitude of the Egyptian clergy when, at the time of Ptolemy III, they were gaining more authority, they went to Memphis to have their assigned council instead of celebrating it in Alexandria. For the Greco-Roman world the city was known as Alexandria ad Aegyptum, which indicates it was conceived as a juxtaposition of Egypt.



Syncretism

Egyptian Religion presents numerous ways in which a God can be identified and related to another. Some times could be a partial relationship depending on their essential characteristics and can be a temporary feature that depends on the locality where it was given. Erik Hornung says that Egyptians can recognize in Amun RA, Sobek RA, Knum RA, RA Harakhti, the different nature of RA. RA is all of them when it comes to show all RA's different aspects. Hornung explains that Hans Bonnet already develops fundamental considerations on Egyptian syncretism, which means fusion, equation, identification and interestingly going beyond to conceive the concept of indwelling in the God's formulas. For example, “Amun-RA indicates that Amun is in RA. Not meaning that Amun has been assimilated by RA, or vice versa, neither means a separate identity. Amun is not the same as RA but RA is inside Amun in the same way that Amun is not dissolving into RA keeping its own identity. Both Gods can be separated and independent again by themselves or in other unions.” Since the old Kingdom, the sun God is highly important and will be associated with many Gods and even Goddesses who will wear a crown with a solar disc. Showing that they also have RA in them keeping the full meaning of the solar identity. In this way being the son of RA, is at the same time the most superior divinity one can hold in a title. It will be equating to the highest divine principle achievable on earth. In this way we can understand a little deeper, how the Bull Apis becomes Oriris or beholds Osiris aspects within and later with Ptah. The Greeks solve it by associating groups of their own Gods by their mythological similarities, breaching the center of the cosmological order.
The Ptolemies adopted the divine royal titles of “Son of RA” equivalent to “the living image of Amun” for official documentation as an introductory formula, based on the established royal tradition of divine kingship. Adopting every aspect of the Religion and becoming God like Pharaohs. The Pharaoh would be a vessel for RA, depicting it in their names where we can see the evolution of the solar identity importance. The fundamentals of the Ptolemaic Sarapis aren't based under the ancient Egyptian syncretism, but the Hellenistic solution in the new religious ideology.

In the Hellenistic popular hymn to Isis she tells more about herself. Written in Greek she says “I have revealed to mankind mystic initiations, I have taught reverence for the Gods' statues, I have established the gods' temples.”
This beautiful hymn suggests that for Greco-Roman times, she was known for teaching religion and how to exercise spiritual meaning in the houses for the Gods and not only temples but on images and sculptures. For ancient Egyptian culture, the statues of a God were not merely only a statue or a portrait. It was a container in the physical world for the spirit (kA ) and direct energy of the God's soul (bA ) or in the funeral case, the deceased soul. That is why anthropomorphic sarcophaguses were made, for the soul of the deceased to be recognized as how they looked before dead and hence the spirit will be able to return to the body of this physical realm and embodied it again only if it recognized its own image . Egyptians took great care to represent the body of the deceased exactly as he was while he was alive, on the reliefs at their tombs, so in the afterlife they could do everything again in the same way. The portraits would have the same remarkable features as the spirit would have that memory embedded in them. Their image represented the ultimate connection between the Ba (the soul), the kA or spirit that came to a physical body on earth and the underworld of afterlife. The bA or soul, represented as a bird with human head, was a part of the soul that was separated from the body by earthly dead, flying back to the place of origin. The kA or spirit in the other hand was a double of the soul consecrated to a particular image. It was created for that specific body being born and raised with the physical body, and after death would enjoy a magical life in the tomb or mortuary temple among the images of itself. Let's say the spirit of that person would hover around his images as it is recognized by his double. That is why it was necessary to build mortuary temples with statues of the king and images of all his great achievements for the spirit to rejoice again eternally. The use of architecture and images has a deep meaning then, explaining why they spent all their physical lives preparing the correct place for their eternal rest.
The temple has the hieroglyph pr , which translates, to house; we could see the walls surrounding an entrance. The temple is the sacred house of the God himself cause his kA or double energy will be inhabiting the place inside the walls of the precinct and could communicate with this world through his own self-images. There are many papyrus that document stories on which the priests could talk to the statues of certain God. Known as the talking statues. The priests back then did a complete ritual around the statue of the God of their cult and it was usually placed in the sancta sanctorum of the temple. This is the most sacred and private space of the temple in which rooms only the initiate priests in charge could come in. And only on special occasions the doors of this room could be opened a little bit to let the ka of the God himself, bathe the natives searching for healing, standing in the outer middle court.

Figure 9

Figure 10

Hellenistic Isis

Isis sucking God Horus and a painting of Virgin Mary sucking baby Jesus.

Figure 11. Detail of temple Dendur's wall depicting Augustus (right) god Osiris (center) and the goddess Isis (left). Now in the Met in New York.

Figure 12. The Mammisi scene of the divine birth depictions in the Central Courtyard at the Temple of Isis, Philae, Agilkia Island, Laker Nasser, Aswan, Egypt. In the Pharaoh's cartouche is the name of Ptulmis, Ptolemy VI, Eupator.

Figure 13.

Figure 14. Augustus in wall relief in Kalabsha's temple. Figure 15. Aula Isiaca under the Flavian Basilica inside Augustus complex. Roman Forum, Rome.

37-41 ad. Gaius Julius Caesar Augustus Germanicus nickname: Caligula little caliga", a type of military boot) from his father's soldiers during their campaign in Germania. Neo classical or better said neo academic Portrait of Caligula Julius Claudian dynasty, Tiberius' successor. His reign last only 4 years. Although he carried economic measures and important laws. Private and public works. Official COURT art inspired as always in Augustan features.

These are the remains of Caligula's ships, recovered in NEMI: small town in Castelli Romani. Recovery of the ships was an incredible event, first attempt on the renaissance, but was only possible during Fascism draining the water through those pipes. Practically drying up the lake to bring the ships up on surface. Wooden remains destroyed during the second World War when the Germans bombarded the small museum where they were kept.

Tiberius Claudius Caesar Augustus Germanicus One of the best first rulers of Imperial Age. 41 to 54AD. Grandson of Tiberius, trained and cultured emperor who wrote books on Etruscan history (married to an Etruscan matron) books on the dice game, on the Punic wars.
Sources say he had physical defects but political intelligence. He organized the imperial bureaucracy efficiently dividing offices by function, opened the senate to noble families of the provinces of the empire having new blood within the ruling class. Economic and religious reforms in foreign policy, enlarged the empire with the conquest of Britain from now England. Claudius was poisoned by Agrippina (his niece and now wife, mother of Nero) on October 13, 54 CE

Titus Flavius ​​Vespasianus- VESPASIAN Flavii dynasty. 69-79AD. The year of the four emperors: GALBA, OTHO (Otone), Vitellio and Vespasiano. He comes from Judea. Equestrian background. From the family of the equites=the knights originally from Sabina. Great commander of the Roman army. Reaffirms the primacy of the west by taking up the policy of Augustus. You introduce knights to the senate, transforming it. He makes his son Titus the prefect of the preatorian guard.

He gave the army more power by the LEX DE IMPERIO, legal basis of imperial power over judiciary. Power to those with enough strength (armed) to impose. Increasing the role of the army and taking power off from the senate. It has recovered economically by a series of reforms to promote economic and social development. I have conquered Jerusalem.
Sons: TITUS and DOMITIAN. Taken on a sudden with such an attack of diarrhea that he all but swooned, he said: "An emperor ought to die standing," and while he was struggling to get on his feet, he died in the arms of those who tried to help him, on the ninth day before the Kalends of July [June 23], at the age of sixty-nine years, seven months and seven days.
—Suetonius, Lives of the Twelve Caesars, "Life of Vespasian"

Titus Caesar Vespasianus His reign is short (79-81AD) he finalizes and inaugurates the Flavian Amphitheater that his father started. Historians reviewed him positively as he was moderate attitude with the senate. DRUING HIS REIGN: epidemic, a fire and the eruption of the Vesuvius that buried Pompeii, Heculaneum and Stabia. He conquered the Jews with his father. He was very popular. Philostratus wrote that he was poisoned by Domitian with a sea hare (Aplysia depilans) and that his death had been foretold to him by Apollonius of Tyana. Suetonius and Cassius Dio maintain that he died of natural causes, but both accuse Domitian of having left the ailing Titus for dead.

Suetonius says on Titus “on his way to Alexandria, he wore a diadem at the consecration of the ox Apis at Memphis; and, although he did it only in compliance with an ancient religious usage of the country, yet there was someone who put a bad construction upon it.” (781)
Alexander the Great also visited Memphis, popular tradition maintains that Alexander was enthroned as king of Egypt in the temple of Ptah in Memphis, near the temple of the bull Apis.
We could say Vespasian didn't have the intention to be portrayed as a God or anything similar, due to the descriptions of his character, and his most famous phrase when he was dying “Dear me, I fancy I'm turning into a god ” referring to the emperor's cult posthumous deification. But he certainly played along the meaning of the embodiment of Horus, of all the titles received, for political purposes. When he achieved his military victory in Judea, he put down a Jewish revolt and captured the city of Jerusalem, Vespasian was hailed as a hero and a savior, and he was given the title of "Imperator" by his troops. This title was traditionally bestowed upon a victorious Roman general, but it also had religious connotations. The Imperator was seen as a divine figure that had been chosen by the gods to lead the Roman army to victory. More important is to mention that he spent the night in the Iseum together with Titus, before his victories indicating the mark of the strong link between the Empire and the Isiac cult in Rome. This temple in Campus Martius has protected and sheltered the future emperors on the night of their return to Rome. This Dynasty remained attached to Isis and Sarapis as the deities served the Flavian family since their place of Origin and remained integral to Vespasian's rise. This service linked the Dynasty with Alexander the Great myth and power playing it's propagandistic role as the worthiest successors. “Whoever came to Egypt, especially to Alexandria, on the way to or in the process of claiming the highest possible political position available to an individual, would place himself in the tradition of the mythological Alexander.”

Figure 17. Temple's gate at Kalabsha in Nubia, representing Augustus offering land to Isis.

Figure 18. Statue of Domitian as Pharaoh. Benevento, Sannio Museum, inv. 1903

According to Takács, Domitian wasn't killed because he has “styled himself dominus et deus” ten years before. It was more an internal conflict with the Senate. Domitian suppressed the senate causing instability and struggle between the princeps and the senate who acclaimed Nerva as the next emperor, he was old so soon the titles of princeps optimus and the God Jupiter who was the main God in Rome, were gladly accepted by M. Ulpius Traianus 98AD. Trajan also admired Alexander the Great, who made him to adopt the names with invictus and uctor as part of the emperor's persona. Not much known of an Egyptian connection with Trajan.

The truth is that the divine connection with divinity as considered at the beginning of times, was long time transformed and probably the original terms forgotten. Perhaps the last Emperor who seems to have had a real deep interest for Egyptian and Greek culture was Hadrian. Proclaimed emperor in August of 117AD. Who strengthened imperial power by returning to the age of the Flavian's status quo. Hadrian traveled through all Roman provinces in 130AD. I have admired the intellectual artistic past of the cultural center that Alexandria as a bridge and guardian of the knowledge of the past. Expressing Alexandria's full importance and magnificence in the construction of his own Villa in Tibur. Hadrian and his wife visited Egypt during their grand tour of Roman provinces. Hadrian's visit to Egypt was recorded for history on the Memnon colossus, that until nowadays we can see an inscription carved on the left leg of one of the statues. The poetess, Julia Balbilla, one of the few female writers known from the Roman Imperial elite, granddaughter of the last king of Syria Commagene, carved four poems, 54 lines, written in her Aeolic dialect, Greek elegiac verse, commemorating the emperor's visit. (figure 19).
At this time the Memnon colossus were a popular site attracting visitors.

Figure 19.

Figure 20.

“Sabina Augusta,
wife of the emperor Caesar
Hadrian, heard Memnon
Twice within the hour…”

His lover Antinous drawn in the Nile and he deified him as a product of Hellenistic ways of thinking, but not as a real belief of the link between Gods and royal heirs anymore. According to Takàcs his interests could become trends and fashion, as he was the emperor, important public influential figure. So his interests for far Egypt became Egyptianizing fashion. The renovation of the Serapheum of Alexandria was one of the many Imperial restoration projects of important cultural sites but not inspired by religious devotion. “…his was an intellectual and not a religious curiosity.” The coin representation of Isis on Sothis issued at the end of his reign was a depiction of the Ptolemaic tradition, but not the evidence of the two, Hadrian as Sarapis and Sabina as Isis, represented as cult initiates. In the coin's composition we can see the cosmic astrological relevance of Isis and the decoration of an Iseum's frieze, reflecting Hadrian's cultural interests and a simply Ptolemaic form of Imperial worship. Hadrian was a beloved emperor who achieved political success in province and in administration of the empire. His successor, Antoninus Pius did not show the same cultural interests but there was a coin issued to commemorate his deified wife Faustina, showing the figure of Isis as a normalized representation outside of her original ancient context. We can see Isis and Sarapis represented in coins as well in Marcus Aurelius and Commodus reigns. From here on, the emperors were sometimes portrayed with the statue of Sarapis of Alexandria as heritage of the ideology and Hellenistic ways of worship and cult to the emperor. But their devotion won't go to recover the ancient roots of the relationship with divinity.




- Conclusion


In the early Archaic Egyptian state, when religious foundations were made for future development, Egyptian kingship was constructed to sustain the cosmos as well as human beings. Without this balance, the existence of everything would disintegrate. “As early as the Archaic Period, the king was regarded as an absolute monarch, who, as “god on earth”, was considered to be the embodiment of whichever royal state-god was supreme at any one period. The Gods chose the king to act on their behalf, but he was not only a mediator between gods and mankind; “he was himself divine, although he was never the equal of the gods and always retained many human characteristics.” In reference to “human characteristics” it is logical that they were also part of being divine intermediaries, not to abuse the actions of the government into selfish benefits. Ancient Egyptians lived according to ethical and divine moral balance represented as Ma'at or the meaning “divine order” which was a Goddess represented with a bird's feather on her crown over her head, usually also represented with two giant protective wings. Ma'at is the Goddess name, but the concept that Ma'at represents is very important to understand ancient Egyptian mindset. She is the personification of the world order. Considered the daughter of the creator RA. It embodies the divine principle of justice and balance in which the universe can function. It is a natural law that when it is broken or corrupted, reality can't be sustained. The Pharaoh was the protector of this law, and he would be confronted with it during his passage to the other life at the moment of dead. In Abu Simbel's temple, a twin sacred temple complex dedicated to Pharaoh Great Ramses II and his beloved wife Queen Nefertari, (Figure 21) we see four colossal statues representing the Pharaoh flanking the entrance to a marvelous hallway in which we see the hypostyle hall, with 18 meters depth and 16.7 meters wide, housing eight massive Osirid pillars supporting the whole structure carved into the mountain being a master piece already in engineering.



The Osirid pillars portray Ramses II already justified as the God Osiris. Meaning his soul already passed through the justice balance hall ritual in which his heart would be weighted against the feather of Ma'at. In this ritual the deceased has to be confronted with his heart, and be evaluated by the Gods. If he held heaviness caused by his own actions during life, his eternal life would be in danger. The result would determine if he could continue his passage to the other world or if his soul would be devoured by a hybrid entity and disappear eternally, which by all means would be the worst punishment for corrupting Ma'at's order. When the Pharaoh's heart was light as the feather of Ma'at he would be identified and therefor deified with the God Osiris who will accept him in his realm for eternal life.

Ramses II's representations as Osiris (figure 22) means he was already judged and lighthearted and his funerary temple could be fulfilled with statues of him for the return of his divine kA. Where people could bring offerings and connect with his presence. The concepts here clearly depict an extreme difference with the way royal lineage has been interpreted and used by the Imperial Rome. The cult of an emperor greatly differs from the central meaning of the principle and objective of deification. Used, in the later case, to expose the most shallow and artificial construction of the self, only to brag about their family's achievements and possessions. Surely the empire was constructed by several powerful men, compiling conquered lands, people, wealth and therefore supremacy to rule over, erect colossal statues, build temples and propaganda programs in the form of huge sculptures and inscriptions to keep convincing the people about their lineage regardless the way divine meaning was assembled. Surely it is of great importance for history to have all the temple records and archeological evidence from the Roman emperors, no doubt their achievements were huge and expansive.
In ancient Egypt, deification of a king was a natural way of the cycle of life returning to its divine origin after death. It was evidencing the order of Ma'at and the laws of the universe when the Pharaoh had the honor to be justified by his own voice, through his heart in the hall of Ma'at and therefore became resurrected within Osiris in the perpetual life after the earthly one. During their lives their actions were permeated according to these ethics and laws only to be honored by the Gods as part of their return to divinity. They clearly understood this life was a short step to something greater in complete balance in the next life. Emperors worked to have a place in history in this life and for the memory of this world. Being regarded as divine served a distinction and lifestyle here, but they didn't care about the aftermath of dead. The meaning behind their actions differs in the spiritual religious purpose. We cannot know what they believed or thought, we can only analyze the evidence reflected on the history they carved and left for us to interpret which points to the transformation of the concepts of divine kingship and its uses. In regards to Isis, Roman matrons used to make a full difficult pilgrimage to the island of Philae to visit her shrine, and bring water from the Nile, that is how profound the devotion to Isis was, she was believed to intervene destiny of the living and it was a cure to every area in which a human can feel powerless in the natural immensity of life and nature phenomena. As it has been expressed for history in her Aretalogy, longer known than her hymn at Philae, remaining the biggest literary piece associated with her:


Isis Temple on the island of Philae in Aswan.


“I am Isis, ruler of every land
I was taught by Hermes (Thoth), and with Hermes devised
Letters, both hieroglyphic and demotic, that all might not
be written with the same.
I gave laws, to mankind and ordered what no one can
change
I a the eldest daughter of Kronos
I am the wife and sister of King Osiris
I am the one who discovered wheat for mankind
I am the mother of King Horus
I am the one who rises in the Dog-star
I am the one called Goddess by women
For me was built the city of Bubastis
I separated the earth from the Heaven
I showed the paths of the stars
I regulated the course of the sun and the moon
I devised the activities of seamanship
I made what is right strong
I brought together woman and man
I assigned to women to bring into light of day their infants
in the tenth month
I ordained that parents should be loved by children
I imposed punishment upon those unkindly disposed
toward their parents
I with my brother Osiris put an end to cannibalism
I taught men the initiation into mysteries
I instructed them to revere images of the gods
I established the sacred cult places for the gods
I abolish the rules of the tyrants
I put an end to murders
I compelled women to be loved by men
I made the right stronger than gold and silver
I ordained that the truth should be considered good
I devised marriage contracts
I assigned to Greeks and barbarians their languages
I made the good and the bad to be distinguished by nature
I made that nothing should be more fearful than an oath
I have delivered him who unjustly plots against others into
the hands of the one against whom he has plotted
I impose retribution upon those who do injustice
I decreed that mercy be shown to suppliers
I honor those who justly defend themselves
With me the right has power
I am the mistress of rivers and winds and sea
No one is honored without my consent
I am the Mistress of War
I am the mistress of the thunderbolt
I calm the sea and make it arise
I am in the rays of the sun
I attend the sun in its journey
What I decree, that is also accomplished
All yield to me
I set free those who are in bonds
I am the Mistress of seamanship
I make the navigable un-navigable, whenever I so decide
I founded enclosure walls of the cities
I am called the Lawgiver
I brought up islands out of the depths into the light
I am the Mistress of rain
I conquer Destiny
Destiny obeys me
Hail, O Egypt, that nourished me!”